The villa at Beethovenstraße 10 is designed in neoclassical style, combined with elements of Art Nouveau.

The architect Paul Dietzsch from Essen designed the villa according to the representative needs of the client Heinrich Kirchhoff.

The building at Bierstadt Straße 14 is a castle-like villa built by architect Alfred Schellenberg in 1876-78 in the strict historicist style. The main façade faces west towards Rosenstraße. Schellenberg turned away from the usual symmetry of Classicism and Romantic Historicism and instead offset the villa's loggia to the south. His design was discreetly inspired by the Italian High Renaissance.

Villa Bierstadtter Straße 14 has been home to the private school Dr. Obermayr since 1975; only a few rooms still have their original furnishings.

The villa was demolished in 2024.

In 1909, the architect Karl Köhler built the villa at 15 Bierstadt Straße for his own purposes in the neoclassical style, which was often reflected in the buildings of the First World War. Contrary to the actual custom of classicism, Köhler emphasized the roof of the villa by creating a mansard roof.

The building is the headquarters of the private school Dr. Obermayr.

In the summer of 1883, Brahms worked on his "Wiesbaden Symphony", the 3rd Symphony in F major (op. 90), in a Wiesbaden villa at what was then Geisbergstraße 19.

Brahms' stay in Wiesbaden came about through his friendship with the Beckerath family, who initially invited him to their vineyard in Rüdesheim. After hiking together in the Swiss Alps and years of correspondence, Brahms finally returned to the Rheingau in 1883. Laura von Beckenrath found accommodation for the composer at Geisbergstraße 19 (today Schöne Aussicht 7). Brahms was able to compose there undisturbed in absolute peace and quiet, with walks from the front door. On his walks on the Neroberg and in the Taunus, his compositions unfolded almost to perfection; he then put the works on paper almost without corrections.

Brahms' work from his time in Wiesbaden was premiered on December 2, 1883 in Vienna with the Vienna Symphony Orchestra under Hans Richter.

The villa at Dambachtal 20 was the home of Friedrich Werz, who - as can be seen from the building - appreciated the Art Nouveau style. He built the villa in 1905.

When Prince Albrecht, the owner of the Solmsschlösschen, fell seriously and apparently terminally ill shortly after moving in, he moved to Gustav-Freytag-Straße 27 in 1898 - the second villa he had built. In contrast to the monumental Solmsschlösschen, Prince Albrecht had the second villa built by the architect Wilhelm Köster in a relatively simple and conservative style. The villa is designed in the forms of the Upper Italian Renaissance, with an asymmetrical arrangement of the corner balconies.

Gustav-Freytag-Straße was called "Hainer Weg" until 1886 and was renamed after Gustav Freytag on the occasion of his 70th birthday. The poet lived in the villa at Gustav-Freytag-Straße 18 from 1881 until his death.

In 1842, the architect Georg Moller built the neoclassical-style "Villa Rettberg" on behalf of the Nassau lieutenant and adjutant to the duke, Carl von Rettberg. The owner died in 1844 and was laid to rest in the "Old Cemetery".

Influenced by the Italian Renaissance in its architectural forms, little remains of the villa's former appearance today. The building was enlarged in 1870 and a storey was added at the turn of the century, and its historic façade was altered. After the end of the war, the villa was renovated because it had been badly damaged by bombs. In 1949, the state government used the two neighboring buildings and Villa Rettberg as an office building.

After the Hessian State Chancellery moved into the former "Hotel Rose" in 2004, work began a year later to renovate the Villa Rettberg, including the adjoining coach house, and convert it into the Haus der Kommunen with a new office building.

Villa Lessingstraße 5 bears the signature of architect Christian Dähne, who built nine magnificent neo-Renaissance villas in Wiesbaden.

Dähne built the villa in 1898 from brick and sandstone with three floors and a striking polygonal corner tower. The architect himself lived in the building for 26 years.

In 1899, the architect Wilhelm Boue built the double villa at Sonnenberg Straße 26/28 in the neo-baroque style. The "Regina" hotel was housed in the building between 1905 and 1935.

The company Kreizner & Hatzmann was responsible for the construction of Viktoriastrasse 19 in 1871/72. Two years earlier, Friedrich Hatzmann and Joseph Kreizner bought the building plot, of which they kept only a third themselves. In 1872, the two building contractors sold the neoclassical building at Viktoriastrasse 13 (now 19), which was decorated with larger-than-life caryatids from Höppli's workshop. The building, designed as a detached house, was converted into a multi-storey house around 1936.

While the villa itself only suffered minor damage during the Second World War, the coach house and stable buildings at the rear of the property did not survive the bombing raids.

Between 1878 and 1882, the architect Georg Friedrich Fürstchen built the Villa Clementine on behalf of the Mainz manufacturer Ernst Mayer. It was named after Mayer's wife Clementine, who died shortly after its completion. The architect, who was 29 years old at the time, designed the floor plan of the "upper middle-class villa" in a U-shape and finished the building with a double façade facing Wilhelmstrasse and Warme Damm. Fürstchen specified different heights for the rooms on the ground, first and second floors in order to emphasize the importance of the individual storeys. The building is also characterized by extraordinary stucco ceilings, several winter gardens and terraces as well as black marble steps in the stairwell.

Villa Clementine achieved worldwide fame in 1888 with the "Wiesbaden prince robbery": Serbian Queen Natalie rented the villa with her son, Crown Prince Alexander, after she had left her husband, King Milan Obrenovich. However, he tracked down her whereabouts and had his son brought back to Bucharest by order. Villa Clementine has been the home of the Wiesbaden House of Literature since 2001.

Commissioned by the widow L. Wintermeyer, the architect Georg Schlink began building the villa on Biebricher Allee in 1902. The building stands out due to its corner location, the polygonal corner tower with baroque dome and the veranda, which was added on the Biebricher Allee side. In 1914, another veranda was added to the rear of the building. The current name "Villa Schnitzler" comes from the second owner.

The official residence of the President of the United States in Washington was unmistakably the model for the construction of the "White House" villa. This was at the request of the American wife of the champagne manufacturer Söhnlein, Emma Pabst. However, it is also possible that the emerging neoclassicism influenced the design of the house. The Swiss architects Otto Wilhelm Pfleghard and Max Haefeli designed the building between 1903 and 1906, having become known for their work in Alfred Schellenberg's architectural office.

Since the death of Friedrich Wilhelm Söhnlein in 1938, the villa has had different functions: in 1940 it was rented by the police administration, four years later it was bought by the "Third Reich" and after the end of the war until 1995 it was used by the American military administration.