The foundation of the scholarship goes back to the "Fluxus Festival of New Music", which took place in Wiesbaden in 1962. This Fluxus event gave the new art movement its first broad echo.

The working scholarship is endowed with 10,000 euros and is awarded for three months from June to August. During this time, the scholarship holders are provided with living and studio space at the Nassauischer Kunstverein. Following the work scholarship, an exhibition of the scholarship holders will be held at the NKV from September to the end of May of the following year, accompanied by a publication.

For the duration of the scholarship, the scholarship holders should spend most of their time in Wiesbaden. National and international artists between the ages of 18 and 47 from the field of fine arts can be nominated. The scholarship is open to all artistic media, including performative approaches.

The scholarship "Follow Fluxus - Fluxus and the Consequences", awarded by the state capital Wiesbaden and the Nassauischer Kunstverein Wiesbaden for the seventeenth time in a row, went to Lola Göller in 2024.

The five-member jury 2024 was made up of Jana Dennhard / Research Associate, Museum Wiesbaden, Elmar Hermann / Visual artist, Michael Berger / Fluxus collector and patron, Wiesbaden, Monique Behr / Visual Arts Officer, Cultural Office of the State Capital Wiesbaden and Lotte Dinse / Director, Nassauischer Kunstverein Wiesbaden.

The jury decided unanimously from 56 nominations and justified their choice as follows: Lola Göller's artistic practice includes sculptures, performances, installations and videos. Her interdisciplinary approach demonstrates a strong sense of media reflection and a continuous examination of the perception and construction of identity, memory and reality. Göller deals with themes and phenomena that are often on the fringes of social perception or discourse. She examines unconventional lifestyles, social and cultural dynamics, everyday phenomena and mythological constructions. The jury was particularly impressed by the complexity of her work, which encourages critical reflection on current social, political and technological circumstances. She succeeds in challenging the boundaries between the visible and the invisible and actively involving the viewer.